Opening Up to a New Paradigm

Opening Up to a New Paradigm

The Blinding Sea is a 120-minute high-definition feature documentary film, which I have produced and directed, chronicling the life and expeditions of Norwegian polar explorer Roald Amundsen in the years 1897-1928. In this award-winning film, I use the camera to explore polar landscapes and seascapes, record oral traditions, reveal human interactions, and evoke states of psychological and physical health. I show just how Amundsen became an agile expedition leader, by learning directly from Canadian Inuit about their polar skills and techniques, and also their management style.

Here is the film trailer, to give you an idea:

https://vimeo.com/190889756

The Southern Ocean is a breathtakingly wild place, and a real challenge for cinematography

The Blinding Sea comes with its own history. This is an extreme eye-witness adventure film, shot on the Southern Ocean, in Antarctica, across the Arctic and on the Beaufort Sea. It is also a work of rigorous scholarship highlighting the human condition and the painstaking acquisition of experiential knowledge in the polar environment.

I completed a first version in 2020, which I took on tour across North America and Europe, winning 25 awards in festivals around the world.

Then … something unexpected happened! I took the film on tour to Nunavut in November 2023, and showed it there to Inuit audiences.

I learned so much from these encounters that I decided to take back The Blinding Sea and completely rework it. So, this is an interactive film, which honours, adjusts to, and integrates Indigenous knowledge, with the willing participation of Inuit themselves. I completed the new version of the film in March 2025.

In making this film, I benefited from the involvement, advice and on-camera appearances of Inuit like Freda Nakoolaq, shown above, who portrays her great-grandmother Koleok in the film. I was amazed to discover that Koleok knew Amundsen well in 1903-1905; they travelled together for several months with her extended family; she was a vector of Indigenous knowledge for him. She also proposed marriage to him, although Amundsen declined.

The Blinding Sea follows Amundsen and a number of his collaborators and rivals such as Adrien de Gerlache, Frederick Cook, Joseph-Elzéar Bernier, Robert Falcon Scott, Ernest Shackleton and Teddy Evans. It also shows Inuit as explorers in their own right. They had been exploring the polar regions for thousands of years before the arrival of Europeans, and have invaluable knowledge about the polar regions to this day.

The film introduces viewers to people directly connected to the story: Anne-Christine and Johan Amundsen, Bernard de Gerlache, Falcon Scott, Alexandra Shackleton, Julian Evans, Bob Konana, Paul Ikuallaq, George Konana, Freda Nakoolaq, Gloria Corbould (Amundsen’s Siberian Chukchi grand-daughter) and others. The film thereby draws on oral traditions as told nowadays in the families of these explorers as well as in the families of descendants of the Inuit of the Canadian Arctic and the Chukchi whom Amundsen knew best in his day.

The Belgica during the long polar night, overwintering in the shifting ice of the Bellingshausen Sea off Antarctica, with a whale beyond, blowing at the surface.

I shot this film in Antarctica, on the high seas, in the Arctic from Alaska to the Yukon and Nunavut, in Quebec, Mexico, Norway, Ireland, Scotland, England, and Belgium. I also undertook research in archives from New Zealand and Australia to Canada and the United States, and from Ireland to the United Kingdom, Belgium, Germany, Norway and Russia. In The Blinding Sea, I avoid the kind of heroic glorification (mythologizing) and vilification (demythologizing) so typical of conventional explorer biographies.

The Blinding Sea is based on rigorous evidence-based research, and offers completely new insights into the way Roald Amundsen became an agile leader, by unlearning what he thought he knew, casting aside speculative European theories, and then drawing on the practical knowledge of Canadian Inuit. In fact Inuit coached him on polar skills and techniques, and also shared with him, over a two-year period, their unique management style. Amundsen’s relationship with Inuit was based on mutual recognition, respect and the sharing of knowledge, as evidenced by his relationship with Koleok and her family in 1904-1905.

In this film, I highlight the role of women as vectors of knowledge, and also the role of health and nutrition in polar exploration.

Paul Ikuallaq building an igloo for me in Gjoa Haven: he is the grandson of Koleok, an Inuit woman who knew Amundsen well enough to propose marriage to him, in the summer of 1904
Filmed in Gjoa Haven, Inuit throat singers Janet Aglukkaq and Robin Ikkutisluk appear several times in The Blinding Sea
I shot several scenes on board the Canadian research icebreaker Amundsen while overwintering in the Beaufort Sea: air temperature -48° C (-54° F)
Sun dogs on the Beaufort Sea at dawn
The Blinding Sea puts a human face on polar exploration, revealing the links between families – in this photo, taken in Norway, Johan Amundsen shows his cousin Anne-Christine Amundsen Jacobsen how their great-uncle Roald Amundsen wore Inuit snow goggles, made of caribou bone

About the filmmaker

I am a Quebec-based artist-historian and award-winning author and filmmaker, working interchangeably in English and French. As a journalist and former Michener Fellow, I reported from six continents for newspapers, radio and television, then served as executive director of an international medical association, then as university professor. I hold a PhD in History from McGill University and completed a postgraduate year in Medical Sciences at Oxford University. I also spent years acquiring experience at the “University of the Wilderness,” producing radio documentaries in the Arctic, Patagonia and the Sahara.

The Blinding Sea has been a great adventure to make! I am streaming this film, and giving accompanying workshops and conferences about how Amundsen unlearned what he thought he knew, then learned polar skills and techniques from the Canadian Inuit, as well as their art of agile management.

This is me, inside an igloo, Gjoa Haven, Nunavut
George Konana braving the cold in Gjoa Haven. In the making of this film, seven of Koleok’s Inuit descendants and Gloria Corbould, the daughter of Amundsen’s adopted Chukchi daughter Cakonita, generously shared their were time and knowledge with me.

Main credits and available rights:

Producer, director, cinematographer, researcher, writer, narrator and musical director: George Tombs

Editor: Guillame Falardeau.

© Evidentia Films Inc. 2025

Distribution:

Distributor: George Tombs, who holds 100% of the rights to this film, i.e. educational/non-theatrical rights, broadcasting and streaming rights.

George Konana, Koleok’s great-grandson, on the coldest day of the production: air temperature -54° C (-65° F), windchill -68° C (-90° F)

Technical specs:

The film is available for streaming, and in the following versions for live screenings: Apple Prores 422 (HQ) and H.264. This 1080p film is in colour, 16×9, 29.97 fps. English closed captions/French subtitles available. The sound has been mastered in stereo.

Chapters with timecodes and chapter lengths:

Chapter 1: Polar Quest                               0:00:00-0:14:01 (14m01)

Chapter 2: Struggle for Survival              0:14:04-0:30:15 (16m11)

Chapter 3: First Contact                            0:30:17-0:43:58 (13m41)

Chapter 4: Brave New World                   0:44:01-0:55:07 (11m06)

Chapter 5: Time to Move On                    0:55:10-1:03:16 (8m06)

Chapter 6: Race to the South Pole          1:03:19-1:25:43 (22m24)

Chapter 7: The Wanderer                         1:25:47-1:37:51 (12m04)

Chapter 8: Disappearing                          1:37:58-1:57:49 (19m09)

Credits:                                                        1:57-51-2:00:26 (2m35)

I spent three weeks filming scenes for The Blinding Sea on board the three-masted bark Europa, on the Southern Ocean and along the Antarctic Peninsula. Photo by permission of Dawie Malan. All other photos presented here are by George Tombs

Log line: Norwegian polar explorer Roald Amundsen hungered for desert places, and was driven by a passion for both Indigenous and scientific knowledge.

 

 

More Upcoming Translations

April 7, 2025

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