George Tombs is an artist-historian, based in Montreal, working in English and French, and a dual American-Canadian citizen.
As writer, literary translator and film-maker, he devotes his time to hybrid creations.
George has an MA and PhD (Dean’s Honour List) in the History and Philosophy of Science at McGill University and completed a postgraduate year in Medical Science at Oxford University. He served as visiting professor at Athabasca University for seven years, teaching Creative Non-Fiction, Management and Communications Studies. He taught Journalism and History for two years at SUNY, and taught additional sessions at the Université de Sherbrooke (Études Anglaises), McGill University (History) and Concordia University (Translation Studies). He has given guest lectures at Berkeley, Princeton University, Columbia University, the University of Vermont, HEC Montreal, Oxford University, Cambridge University, the University of London and the Sorbonne. While serving as executive director of a health research association for six years, he made presentations at scientific conferences in Argentina, Canada, Hungary, Mexico, Poland, Russia, Sweden & Uruguay.
A journalist for over two decades, George won the Michener Fellowship, one of Canada’s leading awards for journalism. Reporting from six continents on the environment, health and justice, his work has appeared in The Montreal Gazette, Le Devoir, The National Post, The Christian Science Monitor, The Sunday Times, The Guardian and Le Monde. He has produced and narrated many radio documentaries and reports for CBC, Radio-Canada, National Public Radio, the BBC and Radio France, and has worked as reporter/commentator on 19 TV networks worldwide, including CBC, RDI (Radio-Canada), CTV, CNN, PBS and BBC World.
Interview in Agrour, Mauritania
George’s most recent book (June 2019) is the novel Mind the Gap.
According to philosopher John Faithful Hamer: “A coming of age story set, for the most part, in Montreal, Mind the Gap (2019), the author’s debut novel, slides in and out of dramatic comedy, Künstlerroman, and magical realism—delightfully defying definition. George Tombs seems to respect the borders between genres about as much as snow geese respect those between nation states.… Richard Grey, the novel’s dreamy protagonist, lives in an imaginary world of his own creation which shields him, for the most part, from the worst ravages of a deeply dysfunctional family and decidedly traumatic childhood. But as is so often the case, the fortress that protects him as a child becomes a prison that restricts him as a man. To find true love with Chloé, he must transcend his tendency towards idealization and learn how to relate to a woman, not as a screen upon which to project his fears and fantasies, but as a flesh-and-blood human being, beautifully flawed and altogether real.”
Robber Baron, George’s unauthorized biography of Conrad Black, was published shortly after Black’s 2007 conviction for fraud. According to Cal McCrystal in The Independent on Sunday (London), “This biography of Conrad Black is about power and confinement. It addresses his pursuit of and entrapment by the former, and his raging frustration concerning the latter: ‘a concentration camp’ (his upper-class school), the stifling homespun of his native Toronto, the ‘constraints’ of the Canada he until recently despised, and – in the biographer’s words – the ‘world that was too small for him.’ … The intimately detailed portrait has frequent references to Machiavelli…. This enthralling material is placed in clever juxtaposition with taped interviews with the baron himself, insightful accounts of Black’s myriad business schemes, including his artful acquisition of the Daily Telegraph, and verbatim extracts from his trial in Chicago for fraud and obstruction of justice.”
In Editor & Publisher, Mark Fitzgerald wrote “In the highly readable Robber Baron (ECW Press), Tombs plumbs Black’s psychology objectively, but with a sharp insight. It’s something of a cliché to compare Black to Citizen Kane, and Black himself encourages the comparison. But what Tombs has done, arguably, is located the ‘Rosebud’ in Black’s life – a 1953 Atlantic cruise to England to witness the coronation of Queen Elizabeth II. His wealthy father arranged to be on a ship as the British Navy sailed by as part of the celebrations.”
Peter C. Newman wrote in Toronto Life that Robber Baron is “superb with much new, if sometimes quirky material.”
According to Montreal’s La Presse, “Le baron Black [George’s translation into French of the same work] reads like a novel. George Tombs clearly masters his subject and has succeeded in following the tortured path of Conrad Black without getting bogged down in technical details. He tells the fascinating story of a man blinded by the quest for power who has ended up sabotaging himself… The strength of this biography lies in the fact that the author is a historian as well as a journalist.”
According to Le Soleil (Quebec City), “George Tombs has devoted a fascinating book to Conrad Black. The publisher calls this an unauthorized biography. Actually, this 464-page book, Le baron Black, puts things into perspective and helps to understand why the Americans have brought Black of Crossharbour to justice…. Not only is this book successful, but it enables readers to fully grasp the odd sides of Black’s personality – a personality dominated by arrogance and greed, but also marked by keen intelligence.”
According to Phillip Adams, host of the Australian Broadcasting Corporation’s Late Night Live, during a live interview on ABC Radio National, “George, you are a very naughty writer.”
George has translated 17 books from French to English and two more from English to French. He was a finalist for the Governor General’s Award for Translation in 2013, and for the Shaughnessy Cohen Award in 2012.
George’s feature film The Blinding Sea will be completed in Fall 2019. This film was shot mainly on the Beaufort Sea and the Southern Ocean, as well as in Alaska, the Yukon, Nunavut, southern Canada, the Antarctic Peninsula and Norway. The Blinding Sea is devoted to the Norwegian polar explorer Roald Amundsen, who led the first expedition to navigate the Northwest Passage, the first expedition to reach the South Pole, the second expedition to navigate the Northeast Passage, and the first expedition confirmed to have reached the North Pole. The film goes beyond the glamorous legend surrounding Amundsen, to reveal how he learned a new paradigm of polar knowledge from the Inuit of Arctic Canada, which led him to great success. The film evokes the joys, sorrows, relationships and missed opportunities in the life of Amundsen, who disappeared mysteriously without trace during a polar flight in 1928.
Institutional research, writing and translation mandates
George has undertaken consultancy mandates for the following institutions: Bombardier Recreational Products, the Canadian Commission for UNESCO, the Canadian Communications Foundation, the Canadian Forest Service, the Canadian Space Agency, the Centre de recherche du CHUM (the University of Montreal Hospital Research Centre), the Commission de l’éthique en science et en technologie (the Quebec Commission on Ethics of Science and Technology), the Conseil d’évaluation des technologies de la santé (the Quebec Health Technology Assessment Council), the Gamma Institute for the Prime Minister’s Office of Canada, the Gamma Institute for the Privy Council of Canada, Genome Canada, Genome Quebec, the International Civil Aviation Organization (a UN Specialized Agency), the National Health Service/National IT Programme (Radcliffe Infirmary, Oxford, UK), the National Research Council of Canada/Genomics and Health Initiative, the Radio Canada International oral history project, and the Université de Montréal/Centre de recherche en droit public (University of Montreal Public Law Research Centre).
George is a member of the Union nationale des écrivains du Québec, the Quebec Writers Federation, the Writers Union of Canada and the Literary Translators Association of Canada.